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<META content=3D"Telltales: One man's fact, other man's fiction" =
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<META content=3D"Shevy Gunter" name=3DDC.creator>
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content=3D"sailboat, Laser, racing, telltale use, problems of using too =
many telltales, Gentry tufts, genoa car adjustments"=20
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            <CENTER><B><FONT face=3D"Verdana, Arial, Helvetica, =
geneva"><FONT=20
            size=3D-1><!-- Excerpts from text goes here -->The "Gentry =
tufts" are=20
            fine,<BR>but are they necessary?<BR>At 1996 Savannah =
Olympics,<BR>no=20
            sailor or boat<BR>was using anything but<BR>2-3 pairs =
of<BR>steering=20
            telltales<BR>plus the leech telltales.=20
</FONT></FONT></B></CENTER></TD>
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                <TD><FONT face=3D"Times, Times New Roman" =
color=3D#000088>
                  <H1>Telltales: One man's fact,<BR>other man's=20
                  fiction</H1></FONT></TD></TR></TBODY></TABLE><FONT=20
            face=3D"Verdana, Arial, Helvetica, geneva" =
size=3D2>by<BR><EM>Mikko=20
            Brummer<BR>WB-SAILS Ltd.</EM></FONT> =
</CENTER></TD></TR></TBODY></TABLE>
      <P><!-- Rest of content goes here -->
      <CENTER><IMG height=3D30=20
      =
src=3D"http://www.arvelgentry.com/Telltales/Telltales%20One%20man's%20fac=
t,%20other%20man's%20fiction_files/{8B7A9D11-771A-11D3-AB9F-ACEB26279833}=
_988.gif"=20
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      <P>
      <HR SIZE=3D1>
      In the following enlightening <EM>WB-SAILS</EM> response to the =
article=20
      <EM><A href=3D"http://www.arvelgentry.com/A_Truer_Tale.htm" =
target=3D_self>A=20
      Truer Tale of Telltales?</A></EM>, all explanatory interjections =
by=20
      drLaser appear in square brackets and in <EM>italicized font</EM>. =
Any=20
      long interjections by drLaser are in addition signed as =
"-drLaser". The=20
      reply received via electronic mail originally did not contain any =
emphasis=20
      (bold or italic typeface.) All such emphasis is added by the =
Webmaster to=20
      increase readability.=20
      <HR SIZE=3D1>

      <P>I'm sorry if I'm misleading, but questionable, yes, always... =
"It is=20
      not nature we observe, but nature exposed to our custom" - one =
man's fact=20
      may be fiction to the other.=20
      <P>After 25 years of sailmaking, research in the wind tunnel &amp; =
a=20
      decade of aerodynamic modeling on the computer, in addition to a =
few=20
      Olympic games and some 20+ world championships, I do consider =
myself, too,=20
      what you call an expert in sail trim, sailmaking, and sail =
aerodynamics=20
      ...=20
      <P>I will try to give my response [<EM>to your <STRONG><A=20
      href=3D"http://www.arvelgentry.com/A_Truer_Tale.htm" =
target=3D_self>A Truer=20
      Tale of Telltales?</A></STRONG> article</EM>] point for point:=20
      <P><FONT size=3D+2>1)</FONT> Regarding my comment that "In the =
mainsail=20
      <STRONG>telltales are only needed in the leech</STRONG>",=20
      <UL compact>
        <LI>You point out: <EM>Then, how about Lasers?</EM><BR>Got me on =
this=20
        one! Obviously, my article is about sloops - when speaking of a =
cat=20
        rigged boat, don't you refer simply to "the sail", not the =
mainsail?=20
        <P></P>
        <LI>You state that "the way you trim <EM>all</EM> of your =
mainsail=20
        significantly affects the flow on the lee side of the genny, and =
this is=20
        the second reason why <STRONG>you should have additional =
telltales on=20
        your main forward of the leech</STRONG>."=20
        <P>Yes, but I believe you can do with the leech tails to trim =
your main=20
        efficiently. I do not think you need mainsail luff telltales for =
this=20
        [<EM>for or a sloop rigged boat with a blade (100% jib), or a =
sloop=20
        rigged boat broad reaching (with a genny or a spinnaker) =
-drLaser</EM>]=20
        If you sheet the main in too tight, leech telltales disappear - =
if you=20
        sheet too loose, the sail will backwind.=20
        <P>Sailing is a very complicated sport. The sailor has to deal =
all the=20
        time with heaps of information, more than anybody can handle, =
trying to=20
        filter out the essential. I think I mention somewhere in the =
article=20
        that what I present is the necessary, but sufficient amount of =
telltales=20
        you should have. I guess my reasoning is that more will just add =
to the=20
        confusion, taking your attention off more important matters such =
as wind=20
        shifts etc. The KISS theory - "Keep It Simple, Stupid."=20
        <P>[<EM>Leech telltales will talk to you about stalling, but not =
about=20
        main camber, halyard/cunningham tension, outhaul tension =
individually!=20
        -drLaser</EM>] </P></LI></UL><FONT size=3D+2>2)</FONT> Regarding =
your=20
      statement that "the goal behind using a jib or a genny is =
partially=20
      <STRONG>to prevent separation and stalling on the forward-leeward =
part of=20
      the mainsail</STRONG>":=20
      <P>No, the reason that we use the jib is <STRONG>to prevent =
separation at=20
      the LEECH of the main</STRONG>. This happens by suppressing the =
suction=20
      peak at the luff - more about this below. Thanks to the jib, the =
mainsail=20
      can bend more air &amp; still maintain attached flow. We are =
mainly=20
      interested in the flow on the leeward side of the main, where the =
tellails=20
      would also be very difficult to observe (at least when the boat =
gets a=20
      little bigger).=20
      <P>In the jib overlap area, on the leeward side of the main, =
separation at=20
      the luff is never a problem (it never happens unless sheeting is =
grossly=20
      in error). When there is substantial separation on the windward =
side, the=20
      main will start to luff - easy enough to detect, and not serious =
(to=20
      boatspeed) at all.=20
      <P>In a fractional rigged boat it could be beneficial to have luff =

      telltales above the hounds, where the main no longer enjoys the =
benefits=20
      of the jib. But on the leeward side you could not see them ... and =
as our=20
      windtunnel tests show, luff separation almost immeadiately =
triggers leech=20
      separation, thus the leech tell tale is sufficient, and the =
uppermost is=20
      the most important one.=20
      <P><FONT size=3D+2>3)</FONT> You also note that "<STRONG>a jib or =
a genny=20
      has NO impact on the flow of air around the mainsail =
leech!</STRONG>"=20
      <P>The existence of a jib or a Jenny does have an impact... by =
affecting=20
      the flow in the <EM>front</EM> part of the main. True, the flow =
velocity=20
      at the leech of the main is the same with or without the jib - =
namely more=20
      or less the apparent wind speed. The trick lies in what Arvel =
Gentry says=20
      in your quote earlier:=20
      <BLOCKQUOTE>"The primary effect of the jib is to cause reduced=20
        velocities over the forward-lee part of the main, rather than =
increase=20
        velocities. The slower velocities in turn give reduced pressure=20
        gradiants that help prevent separation and stall (on the main) =
rather=20
        than some higher speed 'revitalization'." </BLOCKQUOTE>Airflow =
cannot=20
      fight rising pressure (decelerating flow) for too long without =
separating.=20
      Closing the slot between the main &amp; the jib kills the suction =
peak at=20
      the main luff. Thus, flow on the main surface needs to fight a =
less=20
      adverse pressure gradient (rising pressure), and has a better =
chance of=20
      remaining attached all the way to the LEECH. This is a very major =
benefit=20
      of the jib.=20
      <P>If you have a chance to go out sailing on a boat with a jenny, =
give it=20
      a try: Sheet the main on the centerline, and barber haul the jib =
out to=20
      the rail - your mainsail leech tell tales will probably stall. =
Now, try to=20
      move the jib lead towards the centerline, and see what happens =
(can't do=20
      that here in Finland anymore - it is freezing and all boats are ou =
of=20
      water till May or so). [<EM>E-mail was received November 27.=20
      -drLaser</EM>]=20
      <P><FONT size=3D+2>4)</FONT> You suggest <STRONG>adjusting the =
main trim,=20
      not the genoa trim</STRONG>, in response to stalling mainsail =
leech=20
      telltales. True, but I am saying " stalling mainsail leech =
telltales=20
      <EM>may also</EM> indicate" [<EM>that your jib is sheeted in too=20
      loosely</EM>], <EM>assuming</EM> your main is properly trimmed...=20
      <P><FONT size=3D+2>5)</FONT> Regarding my suggestion for =
<STRONG>installing=20
      just two pairs of steering telltales</STRONG>, this is the KISS =
theory=20
      again. In <EM>my</EM> sequence of Gentry tufts, I only have 2 sets =
of=20
      telltales. I don't know - to be honest, I've never tried "the =
Gentry=20
      tufts". The older I get, the less I seem to rely on telltales in =
general.=20
      I recently went sailing on a Soling, to do some masthead video =
work - it=20
      wasn't until some 3 hours of sailing I realized we had forgotten =
to put=20
      tell tales on the jib altogether...=20
      <P>The "Gentry tufts" are fine, but are they necessary? - at 1996 =
Savannah=20
      Olympics, for instance, no sailor or boat I could observe was =
using=20
      anything but simple 2-3 pairs of steering telltales (plus the =
leech=20
      tails). Arvel did not exactly invent tell tails - an engineer at=20
      McDonnel-Douglas, he borrowed the idea from the aeronautical =
industry=20
      &amp; gliders, who were using tufts or telltails to detect =
turbulent or=20
      separated flow. He was the first to use them on a sailboat, =
though, in=20
      late 1960s. That's more than 25 years ago, and the tufts, as they =
were for=20
      him, have become telltales (or whatever we choose to call them). =
[<EM>The=20
      distinction between a "telltale" and a "tuft" is that (by =
dictionary=20
      definition) tufts are a "cluster" of telltales attached "closely=20
      together". -drLaser</EM>]=20
      <P>More important than the introduction of the telltales, Arvel =
Gentry was=20
      among the first ones to correctly explain "the slot effect", with =
the help=20
      of the analog plotter, as you say. Ironically, the analog plotter =
models=20
      ideal, inviscid flow, where separation does not exists. But if you =
are=20
      well informed and clever as Gentry was, you can draw many =
conclusions of=20
      real, viscous flow where separation exists, by studying inviscid =
flow.=20
      <P>Today, we have much more sofisticated tools to model real, =
viscous=20
      flow.=20
      <P><FONT size=3D+2>6)</FONT> You also say that "<STRONG>Forward =
telltales=20
      will start working efficiently in high[<EM> -er</EM>] winds, not =
in light=20
      air</STRONG>." I'm not sure I follow you here - in my opinion, you =
don't=20
      need the tell tales in high winds, rather you sail by the heel and =
the=20
      helm pressure. In high winds, leeward telltails will remain always =

      attached and windward ones will always fly, because, as Gentry =
puts it,=20
      the stagnation streamline is permanently on the lee side. =
[<EM>Mikko's=20
      suggested two sets of steering telltales are for "high" versus =
"low"=20
      winds, too. So, Mikko's reference to "sailing by the heel and helm =

      pressure" in "high" winds is not referring to wind conditions =
relevant for=20
      dicussing when you use which set of steering telltales. (For using =

      steering telltales, "low" may be in the range 0-5 knots apparent, =
and=20
      "high" may mean 6-12 knots, with steering by helm pressure =
becoming the=20
      primary concern somewhat above 12 knots - depending on crew =
weight.)=20
      -drLaser</EM>]=20
      <P><FONT size=3D+2>7)</FONT> Regarding the <STRONG>proper telltale =

      material</STRONG>, you say the wool fuzz catches on the sail =
whenever you=20
      position a telltale near a seam. Then, just <EM>Dont!</EM>&nbsp; =
[<EM>The=20
      likelihhod of being able to position five Gentry tufts, on a =
window, away=20
      from any stitching, both on port and on starboard is low, unless =
the=20
      window is custom-made. -drLaser</EM>] On a sailboat, sails have a =
tendency=20
      to get wet. This is why I recommend yarn instead of Nylon for your =
driving=20
      tales. For bigger boats, woolen yarn is never too heavy - for =
dinghies, we=20
      used to use C-cassette tape, which is light &amp; does not get =
wet, but=20
      nowadays everybody seems to favor the simple yarn.=20
      <P><FONT size=3D+2>8)</FONT> From your description [<EM>of how you =
use the=20
      <STRONG>tufts to set the genoa sheet car</STRONG> -drLaser</EM>], =
I think=20
      I understand exactly what is going on. You look up to the leeward =
tuft=20
      along the luff all the way up (can you see it?) and realize it's =
stalling.=20
      To increase twist, you move the jib lead back, and the leeward =
tail flies.=20

      <P>Instead of moving the lead, you should EASE THE SHEET a touch.=20
      Actually, that's exactly what happens when you move the lead aft, =
the=20
      sheet is eased because it "gets straighter". You are adjusting the =
leech=20
      tension by moving the jib lead instead of adjusting the sheet - =
the end=20
      result is the same, but that is not the way to find the correct =
jib lead=20
      position per se. In the process, you can end up with a tight =
(flat) jib=20
      foot.=20
      <P>In the opposite case, if the upper windward tail is flying up, =
you move=20
      the lead forward, and that has the effect of TIGHTENING the sheet. =
The=20
      leech is closed, and the tell tale is fine, but you end up with =
probably a=20
      fuller jib foot than desired. You should simply tighten the sheet =
instead.=20

      <P>This is in essence why I would discourage the use of telltales =
for=20
      positioning the lead. Also, luffing up is no real measure: due to =
the=20
      triangular shape of sails, the loading decreases in the head of =
the sail=20
      at a much more rapid rate than at the foot, as the angle of attack =
is=20
      decreased (in more layman's terms, the sail always starts to =
backwind in=20
      the head first).=20
      <P>The opposite is true when you bear off - the narrow head stalls =
earlier=20
      than the foot. This makes the sail a "tip staller", a very =
dangerous type=20
      of wing for airplanes and that's why they are avoided in them. =
When=20
      sailing, tip stalling ends up in a head-dip for the out-hiking =
sailor at=20
      worst, while for the airplane it could be fatal (when one tip =
stalls=20
      earlier than the other, the plane rolls over &amp; crashes). For a =
given=20
      sailshape, there is only one angle of attack (apparent wind =
angle), when=20
      the stagnation streamline will sit right on the forestay all the =
way from=20
      the foot to head - bear off or luff by only a few degrees, and the =
sail is=20
      no longer ideal (in that respect).=20
      <P>With this in mind, you understand that the triangular shape is =
not that=20
      bad for the sails after all. In lighter winds, at larger apparent =
wind=20
      angles, the top of the sail is heavily loaded - that means a high =
center=20
      of effort and a larger heeling moment, but in [<EM>very</EM>] =
light winds=20
      this is not an issue. As the wind builds up, you head up to =
decrease the=20
      apparent windangle, and the sail automatically unloads in the =
head,=20
      bringing CE down and helping you to keep the boat upright. <!-- =
--------------------- END OF CONTENT --------------------------------- =
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